{"id":21,"date":"2014-07-10T18:16:10","date_gmt":"2014-07-10T18:16:10","guid":{"rendered":"http:\/\/www.zwei.org\/thilo\/?p=21"},"modified":"2014-11-06T20:32:04","modified_gmt":"2014-11-06T20:32:04","slug":"umsonst-for-nothing","status":"publish","type":"post","link":"http:\/\/www.zwei.org\/thilo\/2014\/07\/10\/umsonst-for-nothing\/","title":{"rendered":"Umsonst \/ For Nothing"},"content":{"rendered":"<p><a href=\"http:\/\/www.zwei.org\/thilo\/files\/2014\/11\/presse_umsonst-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-23\" src=\"http:\/\/www.zwei.org\/thilo\/files\/2014\/11\/presse_umsonst-2-300x165.jpg\" alt=\"presse_Layout 1\" width=\"300\" height=\"165\" srcset=\"http:\/\/www.zwei.org\/thilo\/files\/2014\/11\/presse_umsonst-2-300x165.jpg 300w, http:\/\/www.zwei.org\/thilo\/files\/2014\/11\/presse_umsonst-2-470x260.jpg 470w, http:\/\/www.zwei.org\/thilo\/files\/2014\/11\/presse_umsonst-2.jpg 885w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div class=\"textLayer\">\n<div>Unannounced, Aziza is once again standing in her room \u2013 internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg \u2018situation\u2019: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: \u2018for nothing\u2019?Clustering together in a neighborhood, sitting on the street doing nothing or very little, does this have a method? Is there something \u2018meant\u2019 by the Kreuzk\u00f6lln situation of sitting-in-the-sun, using the streets like a bar, and singing on the streets &#8211; even if no one is even trying to \u2018mean\u2019 or \u2018say\u2019 anything? And yet: this use of the city, persisting on getting by without money, insisting on having time, this \u2018demonstrates\u2019 something. And what if it were just a way of reacting to the word \u2018crisis\u2019? To film the condition and to capture a story in it. People that live here, others that have joined them, stay for an undetermined time, leave, interrupt, also just to end this story altogether.<\/p>\n<\/div>\n<div><\/div>\n<div>Premiere Berlinale Forum Expanded 2014<\/div>\n<div>Kinostartpremiere 10.7.2014<\/div>\n<div>Freiluftkino Kreuzberg 21.30<\/div>\n<div>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/97074489\" width=\"470\" height=\"264\" frameborder=\"0\" title=\"umsonst bbooksz av kino\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<\/div>\n<div>\n<div>umsonst \/ for nothing\u00a0 93 Min. DCP., 2014 . engl.\/deutsch with engl. subtitles<\/div>\n<div>spielfilm .<\/div>\n<div>mit ceci chuh, elliott mckee &amp; vivian daniel, imri kahn, pascale schiller, seyneb saleh, nik geene, mathis schulze, chloe lewer u.a.<\/div>\n<div>kamera volker sattel\/thilo schmidt<\/div>\n<div>ton manja ebert<\/div>\n<div>ausstattung nelja stump<\/div>\n<div>requisite bea kosubek<\/div>\n<div>schnitt bettina blickwede\/ claude grasz<\/div>\n<div>sounddesign jochen jezussek<\/div>\n<div>regieassistenz karolin meunier<\/div>\n<div>aufnahmeleitung angela anderson<\/div>\n<div>ausf\u00fchrende produzentin caroline kirberg<\/div>\n<div>musik holger hiller\u00a0 charity children\u00a0 mutter\u00a0 cobra killer<\/div>\n<div>produktion bbooksz av mit joroni film, waveline<\/div>\n<div>idee&amp;regie stephan geene<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Unannounced, Aziza is once again standing in her room \u2013 internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it&#8230;<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/posts\/21"}],"collection":[{"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":6,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/posts\/21\/revisions"}],"predecessor-version":[{"id":42,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/posts\/21\/revisions\/42"}],"wp:attachment":[{"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/media?parent=21"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/categories?post=21"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.zwei.org\/thilo\/wp-json\/wp\/v2\/tags?post=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}